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art portfolio
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BIO
ABOUT
Solo and collective exhibitions and festivals (selection)
International art projects (residencies, scholarships, Long-lasting multidisciplinary art projects)
Pedagogical and teaching experiences and curatorial and coordination works experineces
Awards and grants
PERFORMANCE
The Red Play
Threshold
We Can Climb Right To The Top Of The Ladder Or Fall Right Down To The Bottom
Forbidden Step
Marsz-March-Marsh
Hop(e) and lie
Dust Thoughts
Flower For Mother
Hollow
Acid Prayers From the Cycle Sour Relation
Drop Out
There is no fear…
No Title
Think/thing
Beautiful Lies
Rest of the rest. Performance for Jan Berdyszak
Between Illness
Ricochet
Untitled
Split II
INSTALLATIONS / OBJECTS / VIDEO
reVert (2023)
V
Cycle Overload (2022)
Posthumanum
Crown of St. Barbara
Borderline
Lullaby For Dead
From The Land P to Po (From the land “before” to “after”)
We are surrounded by too many non-essential things
Roommate
Empty Bodies
Hell And Heaven
Merry-Go-Round
Swing 0 (zero)
Fragments
Stand with me and the P… Women
We were never here
Postcards From Homeland (cycle)
I Am Here Temporarily
Neighbours
Convulsion
Sonar
DigitaLLove
PUBLICATIONS AND REVIEWS
‘Mnemonic Techniques (2009 – 2016)’ Monograph / Artist Book
‘Mnemonic techniques. 2009 – 2016’ art book review by Jadwiga Sawicka
‘Perspectives and strategies – Marta Bosowska’s PhD dissertation at Gallery AT in Poznań’ by Janusz Bałdyga
‘Object – memory – history. Marta Bosowska’s performance.’ by Paulina Kempisty
‘Eight sentences about Marta Bosowska’ by Tomasz Sikorski
‘About Marta Bosowska’ by Romuald Woźniak
‘Between a thought and a performance Marta Bosowska in process – some observations.’ by Ewa Zarzycka
‘Past – Present – Past’ by Katarzyna Szulc
‘Tairseach / Threshold / Próg’ performance review by Slavka Sverakova
Performance review by Sonja Jankov
‘Convulsion’ exhibition review by Marta Ryczkowska, PhD
ARSenal Festival Performance – international performance-art festival, Bialystok, PL, 8-10 May 2009 – review by Slavka Sverakova, Marta Ryczkowska, PhD
Day-by-day Festival Review by Marta Ryczkowska, PhD
‘Neither before, especially nor after’ by Marcin Berdyszak
CONTACT
reVert (2023)
